| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 94804 |
|
Martyrdom of Saint Ursula |
1610
Type Oil on canvas
Dimensions 154 cm x 178 cm (61 in x 70 in)
cyf |
| 30269 |
|
Martyrdom of St.Matthew |
nn05
1599-160
The theatre of cruelty
|
| 94794 |
|
Mary Magdalen in Ecstasy |
Artist Caravaggio
Year 1606
cyf |
| 321 |
|
Medusa |
1590
Galleria degli Uffizi, Florence
|
| 28853 |
|
Medusa |
mk65
Oil on canvas applied to a poplar-wood shield
23 5/8x21 11/16in
Uffizi,Gallery
|
| 30333 |
|
Medusa |
mk68
1598-1599
Baroque
|
| 5743 |
|
Medusa gg |
1598-99
Oil on canvas mounted on wood, 60 x 55 cm
Galleria degli Uffizi, Florence |
| 314 |
|
Narcissus |
1598-99
Galleria Nazionale de Arte Antica, Rome
|
| 56038 |
|
narcissus |
c.1595,oil on canvas,43.25x36.25 in ,110x92 cm,palazzo barberini,rome,ltaly |
| 5806 |
|
Nativity with St Francis and St Lawrence fdg |
1609
Oil on canvas, 268 x 197 cm
Formerly San Lorenzo, Palermo (lost) |
| 94802 |
|
Nativity with St. Francis and St Lawrence |
1609
Type Oil on canvas
Dimensions 268 cm x 197 cm (106 in x 78 in)
cyf |
| 80300 |
|
Neptune and Pluto |
between 1597(1597) and 1600(1600)
Medium Ceiling painting in oil
cyf |
| 56043 |
|
poem scroll with deer |
mk247
1603,ink and gold on paper(detail),13x363 in,34x939 cm,seattle art museum,seattle ,wa,usa |
| 58430 |
|
Portable head David Goliath |
mk261 canvas 125.5 x 101 cm Museum Verghese |
| 5740 |
|
Portrait of a Courtesan fg |
c. 1598
Oil on canvas, 66 x 53 cm
Formerly Kaiser-Friedrich-Museum, Berlin |
| 29003 |
|
Portrait of a Knight of Malta |
mk65
Oil on canvas
46 5/8x76 9/16in
Pitti,Royal Apartments
|
| 5797 |
|
Portrait of Alof de Wignacourt v |
1607-08
Oil on canvas, 195 x 134 cm
Mus??e du Louvre, Paris |
| 5798 |
|
Portrait of Alof de Wignacourt fg |
1608
Oil on canvas, 118,5 x 95,5 cm
Galleria Palatina (Palazzo Pitti), Florence |
| 87344 |
|
Portrait of Antonio Martelli. |
Date 1608.(1608.)
Medium Oil on canvas.
Dimensions 118.5 x 95.5 cm (46.7 x 37.6 in).
cjr |
| 5745 |
|
Portrait of Maffeo Barberini kk |
1599
Oil on canvas, 124 x 99 cm
Private collection, Florence |
| 78013 |
|
Portrait of Pope Urban VIII. |
1599(1599)
Oil on canvas
cjr |
| 319 |
|
Rest During the Flight into Egypt |
1595-96
Galleria Doria Pamphili
|
| 5734 |
|
Rest on Flight to Egypt (detail) fg |
1596-97
Oil on canvas, width of detail: 48 cm
Galleria Doria-Pamphili, Rome |
| 5733 |
|
Rest on Flight to Egypt (detail) fgf |
1596-97
Oil on canvas, width of detail: 48 cm
Galleria Doria-Pamphili, Rome |
| 5732 |
|
Rest on Flight to Egypt ff |
1596-97
Oil on canvas, 133,5 x 166,5 cm
Galleria Doria-Pamphili, Rome |
| 95756 |
|
Rest on the Flight into Egypt |
circa 1597(1597)
Medium oil on canvas
cyf |
| 30531 |
|
Saint Catherine |
mk68
Oil on canvas
5'8"x4'4 1/4"
Madrid,Thyssen-Bornemiszxa Museum
1595-1596
Italy
|
| 74850 |
|
Saint Jerome Writing |
1605-1606
Oil on canvas
112 X 157 cm (44.09 X 61.81 in)
cjr |
| 76314 |
|
Saint Jerome Writing |
Date 1605-1606
Medium Oil on canvas
Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in)
cyf |
| 86181 |
|
Saint John the Baptist |
1602(1602).
Medium Oil on canvas.
Dimensions 132 x 97 cm (52 x 38.2 in).
cyf |
| 86454 |
|
Saint John the Baptist |
1602(1602).
Medium Oil on canvas.
Dimensions 129 x 94 cm (50.8 x 37 in).
cyf |
| 96761 |
|
Saint John the Baptist |
circa 1602(1602).
Medium oil on canvas.
Dimensions 132 X 97 cm
cyf |
| 94792 |
|
Saint Matthew and the Angel |
1602
Type Oil on canvas
Dimensions 295 cm x 195 cm (116 in x 77 in)
cyf |
| 43081 |
|
Salome Receives the Head of Saint John the Baptist |
mk170
1607-1610
Oil and egg on canvas
91.5x106.7cm
|
| 94797 |
|
Salome with the Head of John the Baptist |
. 1607
Type Oil on canvas
Dimensions 91.5 cm x 106.7 cm
cyf |
| 5792 |
|
Salome with the Head of St John the Baptist fg |
c. 1607
Oil on canvas, 90,5 x 167 cm
National Gallery, London |
| 5807 |
|
Salome with the Head of the Baptist fg |
c. 1609
Oil on canvas, 116 x 140 cm
Palazzo Real, Madrid |
| 56855 |
|
San Marco called |
mk250 Rome, Italy, the Church of St. Lugar Kangtaleili Chapel, in the year 1597-1601. Cloth on canvas, 338 x 348 cm around. |
| 26764 |
|
Self-Portrait as Bacchus |
mk52
Oil on canvas
66x52cm
Galleria Borghese,Rome
|
| 5713 |
|
Sick Bacchus g |
c. 1593
Oil on canvas, 67 x 53 cm
Galleria Borghese, Rome |
| 29002 |
|
Sleeping Cupid |
mk65
Oil on canvas
28 3/8x41 5/16in
Pitti,
Palatine Gallery
|
| 5800 |
|
Sleeping Cupid gg |
1608
Oil on canvas, 71 x 105 cm
Galleria Palatina (Palazzo Pitti), Florence |
| 62387 |
|
St Catherine of Alexandria |
173 x 133 cm Thyssen-Bornemisza Collection, Madrid The painting formerly belonged to Cardinal Del Monte, one of the artist's patrons. Here we see a single female figure in an interior devoid of architectural allusions. The image appears with a boldness and an immediacy that combine the nobility of the subject (St Catherine was a king's daughter) with the almost plebeian pride of the model (no doubt a Roman woman of the people, who appears on other paintings of the artist, too). The breadth of conception and realization, and the perfect mastery of a very difficult composition (the figure and objects completely fill the painting, in a subtle play of diagonals) are striking. Caravaggio here chose a "grand" noble approach that heralds the great religious compositions he would soon do for San Luigi dei Francesi. The extraordinary virtuosity in the painting of the large, decorated cloth is absorbed as an integral part of the composition. This is something his followers would not often succeed in doing, for they frequently dealt with the single components of the painting individually, with adverse effects on the unity of the whole. |
| 5736 |
|
St Catherine of Alexandria fdf |
c. 1598
Oil on canvas, 173 x 133 cm
Thyssen-Bornemisza Collection, Madrid |
| 62376 |
|
St Francis c. 1606 Oil on canvas |
125 x 93 cm Galleria Nazionale d'Arte Antica, Rome The founder of the Franciscan Order was the first person to experience the miracle of stigmatization of his own body. In other words, he was marked out by Christ's wounds. Here he is reduced to the ideal state of penance in the wilderness - a state equally valid for saints and pious people. Caravaggio shows no sign of reinterpreting the story unconventionally. His rather traditional approach may derive from the fact that the composition is probably a commission from the papal family. They owned the township known as Carpineto, from where an almost identical second version, stored at present in the Palazzo Venezia, Rome, originated. Stylistically, the painting is very closely related to the Brera Supper in Emmaus, which was probably painted in Latium |
| 5784 |
|
St Francis dfgd |
c. 1606
Oil on canvas, 125 x 93 cm
Galleria Nazionale d'Arte Antica, Rome |
| 5785 |
|
St Francis g |
c. 1606
Oil on canvas, 130 x 190 cm
Pinacoteca, Cremona |
| 43836 |
|
St Jerome |
c. 1606
Oil on canvas,
112 x 157 cm |
| 62377 |
|
St Jerome 1607 Oil on canvas |
117 x 157 cm St John Museum, La Valletta This picture of the holy scholar was made for Ippolito Malaspina, a Maltese knight whose coat of arms is on the wooden panel to the right. He was connected by marriage to Caravaggio's patron Ottavio Costa and was a confidant of the Grand Master, who may have been used as the model for the saint (similarly Van Dyck was to use the sister of the Queen of England as model for the Madonna). The saint does indeed look like the knight in a recently discovered portrait by Caravaggio, who has been identified by some as Wignacourt himself. The composition is planned in terms of triangles. One rises from the table to the saint's head, another has its apex at the cardinal's hat on the wall to the left, a third recedes to the bedstead at the back on the right. This simple design helps convey an idea of simplicity. St Jerome has no halo, his workbench is rudimentary, he does not own any folios, he has one candle to see by, a crucifix to meditate on, a stone to beat against his chest, and a skull to remind him of his mortality. He is partly naked because he lives an eremitical life in the desert of Judaea. A steady light shines on his torso and picks out the red cloak round his legs. The source of the light is outside the picture, and can be interpreted as Christ, Light of the World |
| 5796 |
|
St Jerome dsf |
1607
Oil on canvas, 117 x 157 cm
St John Museum, La Valletta |
| 62375 |
|
St John the Baptist |
94 x 131 cm Galleria Nazionale d'Arte Antica, Rome In around 1605 Caravaggio dealt with St. John the Baptist in two splendid compositions, one in the Kansas City Gallery, the other in the Galleria Nazionale di Arte Antica in Rome. The former is laid out vertically, the latter horizontally. Both lend themselves to a modernistic reading aimed at pointing out a certain air between contempt and arrogance. In effect what we are dealing with here are splendid exercises in modeling the body through the play of light and shadow. In the version now in Kansas City, the figure is set before a dense curtain of plants; in that in Rome, there is only the trunk of a cypress tree, on the left. Both are admirable feats of painting, and it is understandable that collectors competed with each other for the artist's works. Caravaggio in turn knew how to make apparently uninteresting religious themes into paintings desirable even for his aristocratic patrons. |
| 5814 |
|
St John the Baptist at the Well ty |
1607-08
Oil on canvas, 73 x 100 cm
Collezione Bonello, Malta |
| 5809 |
|
St John the Baptist fdg |
1610
Oil on canvas, 159 x 124 cm
Galleria Borghese, Rome |
| 5759 |
|
St Matthew and the Angel f |
1602
Oil on canvas, 232 x 183 cm
Formerly Kaiser-Friedrich-Museum, Berlin |
| 43844 |
|
St. Francis in Ecstasy |
c. 1595
Oil on canvas,
92,5 x 128,4 cm |
| 5719 |
|
St. Francis in Ecstasy (detail) f |
c. 1595
Oil on canvas
Wadsworth Atheneum, Hartford, Connecticut |
| 5718 |
|
St. Francis in Ecstasy f |
c. 1595
Oil on canvas, 92,5 x 128,4 cm
Wadsworth Atheneum, Hartford, Connecticut |
| 5812 |
|
St. John the Baptist |
Oil on canvas, 102,5 x 83 cm
Öffentliche Kunstsammlung, Basle |
| 43834 |
|
St. John the Baptist |
c. 1604
Oil on canvas, 172,5 x 104,5 cm |
| 43846 |
|
St. John the Baptist |
1600
Oil on canvas,
230 x 175 cm |
| 5747 |
|
St. John the Baptist (Youth with Ram) fdy |
c. 1600
Oil on canvas, 132 x 97 cm
Galleria Doria Pamphili, Rome |
| 56854 |
|
St. Paul s conversion |
mk250 Rome, Italy, the people of the church of Our Lady of the funeral chapel, the year 1601. Cloth on canvas, 230 x 175 cm around. |
| 327 |
|
St.Francis in Ecstasy |
1595
Wadsworth Atheneum, Hartford, Connecticut
|
| 316 |
|
Still Life with Flowers Fruit |
1590s
RomeGalleria Borghese, Rome |
| 5818 |
|
Still-Life with Flowers and Fruit g |
1590s
Oil on canvas, 105 x 184 cm
Galleria Borghese, Rome |
| 24681 |
|
Supper at Emmans (mk33) |
|
| 94795 |
|
Supper at Emmaus |
1606
Type Oil on canvas
Dimensions 141 cm x 175 cm (56 in x 69 in)
cyf |
| 5779 |
|
Supper at Emmaus (detail) d |
1606
Oil on canvas, width of detail: 20 cm
Pinacoteca di Brera, Milan |
| 5778 |
|
Supper at Emmaus (detail) dfg |
1606
Oil on canvas, width of detail: 20 cm
Pinacoteca di Brera, Milan |
| 5780 |
|
Supper at Emmaus (detail) f |
1606
Oil on canvas, width of detail: 20 cm
Pinacoteca di Brera, Milan |
| 5775 |
|
Supper at Emmaus (detail) fdg |
1601-02
Oil on canvas
National Gallery, London
|
| 5774 |
|
Supper at Emmaus (detail) fg |
1601-02
Oil on canvas
National Gallery, London |
| 5773 |
|
Supper at Emmaus gg |
1601-02
Oil on canvas, 139 x 195 cm
National Gallery, London |
| 48648 |
|
Supper of Aaimasi |
mk191
1596-1603
oil on canvas
139x185cm
|
| 5741 |
|
Taking of Christ g |
c. 1598
Oil on canvas, 133,5 x 169,5 cm
National Gallery of Ireland, Dublin |
| 328 |
|
The Annunciation |
1609
Mus??e des Beaux-Arts, Nancy
|
| 5804 |
|
The Annunciation fdgf |
1608-09
Oil on canvas, 285 x 205 cm
Mus??e des Beaux-Arts, Nancy |
| 330 |
|
The Beheading of the Baptist |
1608
St.John Museum, La Valetta
|
| 34698 |
|
The Beheanding of tst john the baptist |
mk96
1608
316x520cm
|
| 5749 |
|
The Calling of Saint Matthew (detail) dsf |
1599-1600
Oil on canvas, width of detail: 86 cm
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 5751 |
|
The Calling of Saint Matthew (detail) fdgf |
1599-1600
Oil on canvas
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 5752 |
|
The Calling of Saint Matthew (detail) fg |
1599-1600
Oil on canvas
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 5753 |
|
The Calling of Saint Matthew (detail) gfd |
1599-1600
Oil on canvas, width of detail: 30 cm
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 5750 |
|
The Calling of Saint Matthew (detail) urt |
1599-1600
Oil on canvas, width of detail: 92 cm
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 5748 |
|
The Calling of Saint Matthew fg |
1599-1600
Oil on canvas, 322 x 340 cm
Contarelli Chapel, San Luigi dei Francesi, Rome |
| 320 |
|
The Cardsharps |
1595
Kimbell Art Museum, Fort Worth
|
| 5722 |
|
The Cardsharps f |
c. 1596
Oil on canvas, 90 x 112 cm
Kimbell Art Museum, Forth Worth |
| 325 |
|
The Concert The Musicians |
1595
Metropolitan Museum of Art, New York
|
| 89384 |
|
The Conversion of Saint Paul |
1600(1600)
Medium oil on canvas
Dimensions Height: 230 cm (90.6 in). Width: 175 cm (68.9 in).
cjr |
| 42689 |
|
The conversion of St. Paul |
MK169
ca.1601.Doek 230x175cm S. Maria divide Popolo Rome |
| 5766 |
|
The Conversion of St. Paul dg |
1600
Oil on cypress wood, 237 x 189 cm
Odescalchi Balbi Collection, Rome |
| 56041 |
|
the conversion on the way to damascus |
mk247
1601 ,oil on canvas,90.5x69 in,230x175 cm,cerasi chapel,santa maria del popolo,rome,ltaly |
| 5765 |
|
The Conversion on the Way to Damascus (detail) |
1600
Oil on canvas
Cerasi Chapel, Santa Maria del Popolo, Rome
|
| 5764 |
|
The Conversion on the Way to Damascus fgg |
1600
Oil on canvas, 230 x 175 cm
Cerasi Chapel, Santa Maria del Popolo, Rome |
| 43849 |
|
The Crowning with Thorns |
Oil on canvas,
178 x 125 cm |
| 5817 |
|
The Crowning with Thorns f |
Oil on canvas, 127 x 165,5 cm
Kunsthistorisches Museum, Vienna |
| 5761 |
|
The Crucifixion of Saint Peter fd |
1600
Oil on canvas, 230 x 175 cm
Cerasi Chapel, Santa Maria del Popolo, Rome |
| 5763 |
|
The Crucifixion of Saint Peter (detail) f |
1600
Oil on canvas
Cerasi Chapel, Santa Maria del Popolo, Rome |
| 5762 |
|
The Crucifixion of Saint Peter (detail) fdg |
1600
Oil on canvas, width of detail: 51 cm
Cerasi Chapel, Santa Maria del Popolo, Rome |
| 5789 |
|
The Crucifixion of St Andrew dfg |
c. 1607
Oil on canvas, 202,5 x 152,7 cm
Museum of Art, Cleveland |
